Showing posts with label Vietnam culture. Show all posts
Showing posts with label Vietnam culture. Show all posts

Saturday, March 7, 2015

Village culture in Vietnam

I shall never forget this lesson learnt by heart at primary school when I was eight: My Village: “My village is surrounded by a bamboo hedge which hides its houses from view. One enters it through abrick gate. Most houses are thatch huts. Each house, encircled by a babmoo hedge, has a courtyard, a garden and in many cases a pond. In the garden thre grow vegetables, sweet potato, and fruit trees. Besides a little road crossing the village there are only narrow lanes. For some time now they have been paved with bricks, which has made them cleaner. Formerly, whenever it rained, it was very unpleasant to use them because one had to walk in the mud”. To complete the picture, one must add the presence of the market, the communal house, the pagoda, the small open- air shrines dedicated to Confucius and prominent Scholars (Van Chi) as well as to various spirits. 

Duong Lam ancient village
Duong Lam ancient village
The bamboo hedge, in some cases reinforced by an earth embankment and a moat, turns the small rural community into a green islet in the middle of a sea of rice fields. It protects the villagers against bandits as well as typhoons, and supplies materials for the repair or construction of temples, bridges, markets and other public works. It usually has four gates (north, south, east, west), sometimes fewer, which are closed at nightfall by guards. Before the main en trance, banian or ceiba trees cast refreshing shade where farmers returning from the fields or travellers can rest while drinking a cup of tea at a stall nestled among them. One may visualize in this way a village in the delta of north Vietnam, the cradle of the nation. It has kept many of these traditional traits in spite of changes brought about by western influence and urbanization. Topographically, there are four types of villages. The riparian village generally stretches behind the dike, which serves also as a road, on a higher level than the rice fields around them. It is often submerged by flood waters, especially if it is located between the river and the dyke. 

The village in the swampy lowlands extends between the major stream and its effluence, Is built on raised ground for in the flood season the fields are under water. The village in the uplands is built on a hill slope near a river or forest stream here the population is sparse, the land not very fertile. 
The coastal village sits on or among sand dunes. The sandy land had been turned into arable land. The dense population owns relatively big houses with garden and orchard. The topography of the different types of villages is determined by the cultivation of wet rice in submerged fields which had forced the Viet (the majority ethnic group in Vietnam)

To leave the piedmont to settle in the plains, in their southward advance – as far as the Mekong delta in the 17th century - the Viet villages had dispersed. 

The southern village (in the Mekong delta), although born of the northern village (in the Red River delta), has, through a kind of mitosis become different from it in many respects. Going into sparsely popu lated wild regions, the first settlers famished peasants, soldiers of farming colonies, adventurers, and political refugees from China - began by establishing themselves on raised strips of alluvial land ( con giong) before building new villages on lowlands along the multitude of channels, called “arroyos” by the Spanish. Most communities is thus spread along waterways or roads. They had no bamboo hedges, were not isolated from each other, and were often quite close together.

Compared with northern villages they were young communities and had a heterogeneous population, including Chinese, Cham, and Khmer minorities. The people are not bound by strict age –old traditions. Fertile land and a mild climate spare them the toil and suffering which have for long been the lot of their brothers in the Red river delta. All this has led to a “southern” mentality, with which we shall deal with later on.

Sing a song at Lim festival in Bac Ninh province

The first days of the year, the cold weather coupled with drizzle cannot hamper visitors across the country to visit Bac Ninh - Kinh Bac, the land not only famous for Quan Ho folk song and Dong Ho painting but also gathers a lot of unique historical relics such as Kinh Duong Vuong tomb, But Thap pagoda, Dau Pagoda (Thuan Thanh district), Phat Tich pagoda (Tien Du district) Do temple (Tu Son town)... Therefore, Bac Ninh is the destination of many visitors on pilgrimage to the original source.

Quan Ho singers at Lim festival
Quan Ho singers at Lim festival
The first stop in the journey of tourists is Thuan Thanh District with Kinh Duong Vuong complex ( A Lu hamlet, Dai Dong Thanh ward) away from Bac Ninh city about 20km to the south. According to legend and historical bibliography, Kinh Duong Vuong is the Great Father of Vietnamese, father of Lac Long Quan.

Kinh Duong Vuong temple covers an area of over 2000m including 3 worship built in Cong letter of old Vietnamese writing, the middle chamber is dedicated to King Duong Vuong, on the left if mother Au Co and on the right is Lac Long Quan, there are tools made of bronze, ceramics and wood such as bronze tray, incense burner, gong...Located on 4.200m on the south bank of Duong river, King Duong Vuong tomb has an architecture of 2 storeys and 8 roofs, surrounded by shady trees. Through the ups and downs of history, so far, the temple still preserves many tangible and intangible heritages such as tree spirit, stone steles, beliefs, festivals...

Leaving A Lu hamlet, down the Duong river dike, visitors continue to But Thap pagoda (But Thap village, Dinh To commune). The pagoda is named "Ninh Phuc Monastery" built during the post - Le dynasty (17th century). In the upper temple there are Tam The, Tam Than statues, most notably Quan The Am Bo Tat statue, 3.7 m high with 42 big hands and 958 small hands, each hand has an eye on its palm. From upper temple through the stone bridge with 3 curved spans, visitors will see wooden Cuu Pham Lien Hoa built in 9 storeys, carved with Bhudda statues on it's sides. In addition, there are more than 70 wooden Buddhist statues like Kim Dong - Ngoc Nu, Arhat statues...many ancient towers such as Bao Nghiem tower, Ton Duc... is where relics of the Zen Buddhist Monk are placed.

After visiting But Thap pagoda, visitors continues to Dau pagoda. Originally built in the early 3rd century, Dau Pagoda is rated as one of the famous old pagodas in the Kinh Bac land, where the interaction of two major streams of Buddhist culture, India and China. Dau pagoda worships Phap Van Goddess. The pagoda was built with four rows of chambers surrounding the main house, in the yard of the pagoda lays Hoa Phong tower, about 17.3 m in height, inside is a bell tower built in Canh Thinh King

The next destination is Dong Ho painting village, also known as the Mai village (Song Ho commune). Dong Ho, a pretty village on the bank of the Duong River, has long been on the spiritual life of every Vietnamese citizen by the famous folk paintings imbued with national identity. People from Hanoi and other cities come and buy the paintings, many tourists who love folk art come and study characteristics of Dong Ho village.

End the tour at Thuan Thanh district, visitors can go for sightseeing Tien Du district pagoda (Phoenix Village, Phat Tich Commune) was built in the Ly Dynasty in the 10th century. Origin of the pagoda is attached to the Luy Lau Buddhism center and the introduction of Buddhism in India. This is where there are 5 pairs of objects beasts (lion, elephant, buffalo, horses and rhinoceroses) Vietnam's largest stone statues placed on lotus pedestal in front of the temple. In the upper level of the temple has statues of Amitabha Buddha meditating on a lotus throne 1.85 m high (including the pedestal is 2.8 m) - a masterpiece of sculpture in Ly court. In addition, there are 32 towers in the backyard of the temple, belong to Buddhist monks have died from the 17th century to the 20th century.

Going to Tien Du district on 12 and 13 January every lunar year, visitors will have the opportunity to participate in the Lim fold song festival, this is a major festival in Bac Ninh, the definition is regarded as the cultural uniqueness of Kinh Bac region. Festival attracts many people from all over the country, most of them young men and women, they come to sing with local folk artists, especially since they Bac Ninh's Quan Ho folk music was recognized by Unesco as an intangible cultural heritage of humanity in 2009 , the festival has become increasingly busy and attract more foreign visitors.

Vietnam arts and crafts

painting of Hanoi Old Quarter
painting of Hanoi Old Quarter
Collecting art may well be the last thing on your mind when you set of on Vietnam package tours; but neglect this aspect of Vietnamese culture and you will be missing out. The country boasts a rich history of wonderful art, with diverse influences that range from Chinese culture to more contemporary Western inspirations.

Buyer beware
Antique Vietnamese art, even that dating from the recent Nguyen Dynasty, can be extremely expensive. In many cases, such as with Bronze Age art, acquiring these pieces can be prohibitively costly and even, in many cases, illegal. Cheap knockoffs can be found in many local markets, especially when it comes to wooden art and sculpture, which is easily reproduced. But the discerning art critic can get more for their money if their know where to look. 

Vietnam arts, ceramics and souvenirs
While on Vietnam tours, travellers can come across some fine examples and reproductions of traditional art from around the country. In many cases, these are quality pieces that would sit elegantly in a home and also make for great, cheap souvenirs and gifts. If you're looking for something a little "showier", and indeed a bit pricier, try Dong Khoi Street in Ho Chi Minh for hand blown ceramic pieces, fine art and even furniture.

Prints and canvases
Hanoi is famous for the original artwork that can be purchased here, as well as quality reproductions, which you can pick up for less than $30 a piece. Prints are easier and lighter to ship home than sculptures. Many galleries will allow you to purchase the canvas alone, which can be more practical and easier to take home. However, make sure the canvas is wrapped carefully, especially if you purchase original watercolours, pastel or oil paintings that can easily flake or get damaged.

Galleries can usually deliver directly to your hotel, but some more upscale establishments may be able to ship directly to your home, saving you the cost and hassle of transport. The Old Quarter is often the best place to look for quirky pieces or modern art from talented contemporary Vietnamese artists.

Textiles
The experts on Vietnam tours will tell you that not all art here is confined to ceramics, prints or canvases. The country is also rightly famous for its stunning textiles, many of which are still woven and stitched by hand. You can choose to bring home the raw fabric or commission a tailor to create something special from your selection. Keep in mind that prices can range from very cheap to couture expensive.

Lacquer ware and carvings
While on your Vietnam tours you will come across the traditional lacquer wear and handicrafts like stone carvings. These make for interesting pieces to grace your home or they can also make wonderful gifts. Hand-crafting is still much prized in the country and pieces range from rattan goods to high quality ceramics to wooden puppet carving.